Design that rides the edge

Design that rides the edge

Black. Bold. United.

A snowboarding event, redesigned to feel like a statement. Not just a show.

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Client / Agency: LAAX / MTC – Move the Crowd

Timeline: Oct 2015 – Jan 2016

Platform: Event / Print / TV / Motion / 3D

Scope: Visual-Design, DTP, Trophy Design, 3D Modeling, Video-Compositing

TL;DR

Sponsor-Chaos, enge Timelines, hohe Erwartungen.

Wir untersuchten, wie sich Style und Stakeholder vereinen lassen – und machten aus 240+ Assets, 3D-Previews und Live-TV-Visuals ein klares Schwarz-Weiss-Rot-Branding.

Das Resultat: ein Event, das zum visuellen Statement wurde und bis heute den Look von LAAXOPEN prägt.

The Job to be done

How might we turn an action sports event into a visual statement?

The LAAXOPEN wasn't just a competition. It was a chance to set a new tone for what snowboarding looks and feels like.

Photo by Christian Stadler
Photo by Christian Stadler

The Context

When sponsors meet style

The challenge: unify a wild mix of sponsor expectations, production formats, and tight deadlines – without losing the soul of snowboarding.

  • Over 240 print and media assets across 6 production techniques
  • Stakeholder alignment across sponsors, resort, producers, and broadcasters
  • Fixed event date – zero flexibility in delivery

Outcome & Impact

What came out of it

A new style era for LAAXOPEN. Stronger brand. Bigger impact.

Backdrop composition for 2017 event. Photo by Christian Stadler
Backdrop composition for 2017 event. Photo by Christian Stadler
  • It is considered one of the most impressive snowboarding events.
  • A cohesive, standout identity adopted across future editions
  • Sponsor alignment without compromise on aesthetics
  • TV and print feedback praised clarity and uniqueness

My Role in the Team

Translator of vision

I designed and implemented the entire on-site event materials and live broadcast assets by transforming Oliver Fennel's (ROD) CI into a bold event experience.

  • Designed & produced all communication materials (approx. 120 deliverables)
  • Built a full 3D planning and production asset library
  • Created animations for SRF live TV commentary
  • Designed the official LAAXOPEN trophy
  • Maintained visual consistency and stakeholder alignment throughout

Team: Donald Nader (Communication), Andrina Schneeberger (PM), Andi Aniser (Production)

Tools: Illustrator, InDesign, Photoshop, Premiere, After Effects, Cinema 4D, Google Workspace

The Path to the Goal

The process in fast-forward

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  • Align the vision – stakeholder workshop, brand & community deep-dive
  • Plan & analyze – check existing visuals, define technical specs, create asset roadmap
  • Prototype & iterate – 2D/3D mockups, feedback loops, stakeholder previews
  • Produce & deliver – production specs, DTP handover, TV clips, print supervision
  • Broadcast & animate – SRF TV fly-throughs, overlays, graphics
  • Debrief & improve – learnings documented, feedback integrated

Design Decisions that Matter

Decisions that made the difference

1. One color to unite them all

We replaced the rainbow of sponsor logos with clean white marks on deep black – bold, timeless, and deeply snowboarding.

Result: Unity, contrast, clarity – and a design language that spoke to riders and fans alike.

2. From vision to venue – in 3D

To align everyone, I created 3D maps and pre-visualizations of the venue, which were used for design, TV animation, stakeholder approvals, and construction planning.

Result: Less guessing. Faster decisions. Better collaboration.

Thanks Oliver Fennel for crushing Key-Visuals — a pleasure to work with.
Thanks Oliver Fennel for crushing Key-Visuals — a pleasure to work with.

Final Design

The final look

Impressions 1st LaaxOpen 2019

Modular, iconic, and instantly recognizable. Photos by Christian Stadler, Matt McHattie and Marcel Lämmerhirt - 1st LaaxOpen 2016
Modular, iconic, and instantly recognizable. Photos by Christian Stadler, Matt McHattie and Marcel Lämmerhirt - 1st LaaxOpen 2016

First drafts and 3D event visualizations

Early concept drafts black and wihite, semantic, unity
Early concept drafts black and wihite, semantic, unity
Pre-renders and concept suggestions of venue materials
Pre-renders and concept suggestions of venue materials

A small preview of the deliveries

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Vouchers for riders, staffs, stakeholder and Vip’s
Vouchers for riders, staffs, stakeholder and Vip’s
Merchandise T-Shirts for the riders and fans
Merchandise T-Shirts for the riders and fans
Winners Check - Mens
Winners Check - Mens
Winners Check - Womens
Winners Check - Womens

TV Commentary Animation

Challenge accepted – and reignited

3D venue modeling wasn't new, but it was new to me. Especially under tight deadlines, heavy renders, and zero buffer. Grap Sant Joing became my nightly test track. My machine screamed, but I stayed focused.

Late at night, I flew the virtual camera over hand-shaped kickers and rails. It felt like being back on the snow. Not just designing the course—but remembering what it means.

What started as a task became a trigger. This part didn't just test my skills – it brought them home.

TV areal animation for Halfpipe moderation
TV areal animation for Slopestyle moderation

The legendary Trophy

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What the Project Taught Me

What I took away

Precision beats pressure. Style builds unity.

What I learned

  • Start with clarity – it saves time, stress, and misunderstandings.
  • Align stakeholders visually, not just verbally — 3D wins hearts and budgets.
  • Stay playful – even under pressure, creativity needs air to breathe.

What I would do differently

  • Create a shared status dashboard – Google Sheets was not sufficient for the diverse participation.
  • Focus more on MVPs for animations – less perfection, more value under time constraints.

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